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  Home » Cultural India » Crafts In India » Indian Blue Pottery
 
Indian Blue Pottery
 
The use of blue glaze on pottery made from Multani mitti, (a.k.a Fuller’s earth), is essentially a foreign art which was imported into India. It was first developed by the skilful Mongol artisans who combined Chinese glazing technology with the decorative arts native to Persia. Over a period of time, this technique travelled southwards to India with the batches of Muslim invaders and rulers around the 14 century. During its infancy, this art was mainly confined to tile-making meant for decorating mosques, tombs and palaces in the Central Asian region. Later, the Mughals began using them in India, in a bid to recreate the beauty and splendour of their favourite edifices which lay, beyond the mountains, in Samarkand. Gradually the blue glaze technique was released from its status as an architectural accessory, when the Kashmiri potters adapted to it with great enthusiasm.
 

Blue Pottery : Blue Pottery The art of making blue glaze pottery came to Rajasthan via Kashmir, the Mughal emperors’ favourite retreat and, more importantly, their entry point into India.

Art of Blue Pottery : The use of blue glaze on pottery made from Multani mitti, or Fuller’s earth, is essentially an imported technique, first developed by enterprising Mongol artisans who combined Chinese glazing technology with Persian decorative arts. This technique travelled south to India with early Muslim potentates in the 14th century. During its infancy, it was strictly used to make tiles to decorate mosques, tombs and palaces in Central Asia.

Art Gradually Flourished in India : Later, the Mughals began using them in India, in a bid to mimic their beloved structures from beyond the mountains in Samarkand. Gradually the blue glaze technique broke free of its status as an architectural accessory, and Kashmiri potters took to it with a vengeance. From there, the technique rolled down to the plains of Delhi and in the 17th century wound its way to Jaipur. The rulers of Jaipur were exceptionally partial to blue-glazed ware, and many a cool marble hall in Rambagh Palace has as its centrepiece a bubbling fountain lined with ravishing blue tiles. These tiles were also used extensively in the building of the splendid city of Jaipur but surprisingly, they disappeared soon after.

Foremost Art of Tile Making : The revival of tile-making began in the late 19th century, and Jaipur became the centre of a thriving new industry producing blueware. The traditional Persian designs have now been adapted to please a more sophisticated clientele. Apart from the predictable urns, jars, pots and vases, you’ll now find tea sets, cups and saucers, plates and glasses, jugs, ashtrays and even napkin rings. You can spot blue pottery being made at Sanganer, not far from Jaipur, and also within the city at Kripal Kumbh, Shiva Marg.
The colour palette is restricted to blue derived from the oxide of cobalt, green from the oxide of copper and white, though other non-conventional colours such as yellow and brown have jumped into the fray too.

Famous Indian Blue Pottery : The capital city of Delhi is famous for its characteristic 'Blue' pottery. It has a very old tradition, which is very distinctive. This particular art form has been named as blue pottery because of the eye-catching Persian blue dye used to color the clay. Blue pottery is glazed and high-fired which makes it tougher than most of the others. The Jaipur blue pottery is equally famous and unique. No cracks develop in it and since it is impervious, it is more hygienic for daily use. Some of this pottery is semi-transparent and mostly decorated with animal and bird motifs. These pottery items, unlike that of Delhi are made out of Egyptian paste, and fired at very low temperature. This makes them fragile though few can resist the charm of the delicate blue and white floral motifs. The range of items is primarily decorative such as ashtrays, vases, coasters, small bowls and boxes for trinkets.

 

 

 
 
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